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Play for Protest, Protest for Play: Artisan and Vendors' Resistance to Displacement in Mexico City

机译:抗议活动,抗议活动:工匠和供应商抵抗墨西哥城的流离失所

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摘要

Play, laughter and theatrical forms of activism have been recently documented by scholars interested in the politics and spatiality of resistance. This article focuses on the playful techniques of resistance deployed by street vendors and artisans in Mexico City as a result of the displacement generated by a recently implemented policy popularly called Plazas Limpias (clean plazas). Through a case study Coyoacan, a tourist-oriented neighbourhood known for its historical richness and aesthetic qualities, I show how street vendors and artisans who were removed from plazas in the area engaged in a number of playful resistance strategies which drew on the symbolic and material importance of place. I argue the street vendors and artisans deployed playful techniques of resistance for two reasons. First, play helped develop emotions that were crucial for the sustainability of the movement. Second, playful strategies of resistance were practiced because of the symbolic importance of Coyoacan as a place of creativity, play, performance, and art.
机译:对抵抗运动的政治和空间感兴趣的学者最近记录了戏剧,笑声和戏剧形式的行动主义。本文重点介绍墨西哥城的街头小贩和工匠所采用的有趣的抵抗技术,这是由于最近实施的一项政策(通常被称为“广场林皮亚广场”)导致的流离失所。通过案例研究科约阿坎(Coyoacan),这是一个以历史丰富和美学特质着称的以旅游为导向的街区,我展示了从该地区广场撤离的街头小贩和工匠如何运用多种象征性和材料性的顽皮抵抗策略位置的重要性。我认为街头小贩和工匠采用了有趣的抵抗技巧,原因有二。首先,游戏有助于形成对于运动可持续性至关重要的情绪。其次,由于科约阿坎人具有创造力,娱乐性,表演性和艺术性的象征意义,因此实行了顽强的抵抗策略。

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