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首页> 外文期刊>Annals of the New York Academy of Sciences >Mental imagery in music performance: underlying mechanisms and potential benefits
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Mental imagery in music performance: underlying mechanisms and potential benefits

机译:音乐表演中的心理形象:基本机制和潜在收益

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This paper examines the role of mental imagery in music performance. Self-reports by musicians, and various other sources of anecdotal evidence, suggest that covert auditory, motor, and/or visual imagery facilitate multiple aspects of music performance. The cognitive and motor mechanisms that underlie such imagery include working memory, action simulation, and internal models. Together these mechanisms support the generation of anticipatory images that enable thorough action planning and movement execution that is characterized by efficiency, temporal precision, and biomechanical economy. In ensemble performance, anticipatory imagery may facilitate interpersonal coordination by enhancing online predictions about others' action timing. Overlap in brain regions subserving auditory imagery and temporal prediction is consistent with this view. It is concluded that individual differences in anticipatory imagery may be a source of variation in expressive performance excellence and the quality of ensemble cohesion. Engaging in effortful musical imagery is therefore justified when artistic perfection is the goal.
机译:本文探讨了心理意象在音乐表演中的作用。音乐家的自我报告以及各种其他轶事证据表明,隐蔽的听觉,运动和/或视觉图像有助于音乐表演的多个方面。这些图像背后的认知和运动机制包括工作记忆,动作模拟和内部模型。这些机制共同支持了预期图像的生成,从而可以进行以效率,时间精度和生物力学经济为特征的全面的动作计划和动作执行。在合奏表演中,预期图像可以通过增强关于他人动作时机的在线预测来促进人际协调。保留听觉图像和时间预测的大脑区域重叠与该观点一致。结论是预期图像中的个体差异可能是表现表现卓越和整体凝聚力质量差异的原因。因此,当艺术上的完美是目标时,参与努力的音乐意象是合理的。

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