首页> 外文期刊>African Identities >At the crossroads: culture and cultural identity in the novels of Achebe
【24h】

At the crossroads: culture and cultural identity in the novels of Achebe

机译:在十字路口:阿奇贝小说中的文化和文化认同

获取原文
获取原文并翻译 | 示例
       

摘要

This article examines culture and cultural identity in the novels of the African writer Chinua Achebe (1930-). Culture may be studied from the viewpoint of Weber and Durkheim as an analysis of cultural patterns in a society or from Rosaldo's postmodernist perspective as an exploration of cultural borderlands. In Things fall apart and Arrow of God, novels set in the period before colonisation, Achebe sketches cultural patterns in social institutions to counter stereotypes of Africa. However, even as he traces these patterns, he reveals schisms in Igbo society that foreshadow change in the existing social order. Colonialism fractures the society further, accelerating change. While delineating the processes of change, Achebe outlines the complex nature of cultural identity, a result of both the intrinsic nature of Igbo society and the advent of colonialism. In the postcolonial novels, No longer at ease, A man of the people and Anthills of savannah, cultural identity becomes problematic since the margins between the centre and the periphery become indistinct and social institutions collapse. Dominant Weberian patterns now yield to Rosaldo's cultural borderlands where cultural hybrids, equally sceptical about African and western values, struggle for identity. Stationed at the crossroads of history, these characters embrace the complexities of cultural change, demonstrating the vibrancy of Igbo society as they adapt to move on.View full textDownload full textKeywordscultural hybrid, borderlands, cultural patterns, colonisation, identity, patriarchal structureRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14725843.2012.629027
机译:本文研究了非洲作家奇努阿·阿切贝(Chnua Achebe,1930-)小说中的文化和文化身份。可以从韦伯和杜克海姆的角度研究文化,作为对社会文化模式的分析,也可以从罗萨尔多的后现代主义角度研究文化边界。在殖民时代之前的小说《事物崩溃和上帝之箭》中,阿奇贝(Achebe)勾画了社会制度中的文化模式,以应对非洲的陈规定型观念。然而,即使他追踪了这些模式,他也揭示了伊博族社会中的分裂现象,预示着现有社会秩序的变化。殖民主义进一步破坏了社会,加速了变革。在描述变化的过程时,阿奇贝(Achebe)概述了文化认同的复杂本质,这是伊格博社会固有的本质和殖民主义到来的结果。在后殖民小说中,“不再安逸”,“一个人的人”和“萨凡纳的蚁丘”,由于中部和外围之间的界限变得模糊,社会制度崩溃,因此文化身份成为问题。韦伯式的主导模式现在屈服于罗萨尔多(Rosaldo)的文化边界地带,在这里,对非洲和西方价值观同样持怀疑态度的文化杂种为身份认同而斗争。这些角色立足于历史的十字路口,拥抱着文化变革的复杂性,展现了伊博族社会在不断前进的过程中的生机勃勃。 {ui_cobrand:“ Taylor&Francis Online”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14725843.2012.629027

著录项

  • 来源
    《African Identities》 |2012年第1期|p.55-62|共8页
  • 作者

    Neena Gandhia*;

  • 作者单位
  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 13:14:55

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号