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Faster Sound Stream Segmentation in Musicians than in Nonmusicians

机译:与非音乐人相比音乐家中的声音流分割更快

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摘要

The musician's brain is considered as a good model of brain plasticity as musical training is known to modify auditory perception and related cortical organization. Here, we show that music-related modifications can also extend beyond motor and auditory processing and generalize (transfer) to speech processing. Previous studies have shown that adults and newborns can segment a continuous stream of linguistic and non-linguistic stimuli based only on probabilities of occurrence between adjacent syllables, tones or timbres. The paradigm classically used in these studies consists of a passive exposure phase followed by a testing phase. By using both behavioural and electrophysiological measures, we recently showed that adult musicians and musically trained children outperform nonmusicians in the test following brief exposure to an artificial sung language. However, the behavioural test does not allow for studying the learning process per se but rather the result of the learning. In the present study, we analyze the electrophysiological learning curves that are the ongoing brain dynamics recorded as the learning is taking place. While musicians show an inverted U shaped learning curve, nonmusicians show a linear learning curve. Analyses of Event-Related Potentials (ERPs) allow for a greater understanding of how and when musical training can improve speech segmentation. These results bring evidence of enhanced neural sensitivity to statistical regularities in musicians and support the hypothesis of positive transfer of training effect from music to sound stream segmentation in general.
机译:音乐家的大脑被认为是大脑可塑性的良好模型,因为已知音乐训练会改变听觉和相关的皮层组织。在这里,我们表明与音乐相关的修改还可以扩展到运动和听觉处理之外,并推广到语音处理。先前的研究表明,成年人和新生儿可以仅基于相邻音节,音调或音色之间出现的可能性来分割语言和非语言刺激的连续流。这些研究中经典使用的范例包括被动曝光阶段和测试阶段。通过使用行为和电生理指标,我们最近表明,在短暂接触人造歌唱语言后,成人音乐家和受过音乐训练的孩子在测试中的表现优于非音乐家。然而,行为测试不允许自己学习学习过程,而是学习的结果。在本研究中,我们分析了电生理学学习曲线,这些曲线是学习过程中记录的持续的大脑动力学。音乐家表现出倒U型学习曲线,而非音乐家表现出线性学习曲线。对事件相关电位(ERP)的分析可以使人们更好地了解音乐训练如何以及何时改善语音分割。这些结果提供了对音乐家的统计规律增强的神经敏感性的证据,并支持了训练效果从音乐向声音流分段进行正向转移的假说。

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