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Dance and Music in Gangnam Style: How Dance Observation Affects Meter Perception

机译:江南风格中的舞蹈和音乐:舞蹈观察如何影响仪表感知

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摘要

Dance and music often co-occur as evidenced when viewing choreographed dances or singers moving while performing. This study investigated how the viewing of dance motions shapes sound perception. Previous research has shown that dance reflects the temporal structure of its accompanying music, communicating musical meter (i.e. a hierarchical organization of beats) via coordinated movement patterns that indicate where strong and weak beats occur. Experiments here investigated the effects of dance cues on meter perception, hypothesizing that dance could embody the musical meter, thereby shaping participant reaction times (RTs) to sound targets occurring at different metrical positions.In experiment 1, participants viewed a video with dance choreography indicating 4/4 meter (dance condition) or a series of color changes repeated in sequences of four to indicate 4/4 meter (picture condition). A sound track accompanied these videos and participants reacted to timbre targets at different metrical positions. Participants had the slowest RT’s at the strongest beats in the dance condition only. In experiment 2, participants viewed the choreography of the horse-riding dance from Psy’s “Gangnam Style” in order to examine how a familiar dance might affect meter perception. Moreover, participants in this experiment were divided into a group with experience dancing this choreography and a group without experience. Results again showed slower RTs to stronger metrical positions and the group with experience demonstrated a more refined perception of metrical hierarchy. Results likely stem from the temporally selective division of attention between auditory and visual domains. This study has implications for understanding: 1) the impact of splitting attention among different sensory modalities, and 2) the impact of embodiment, on perception of musical meter. Viewing dance may interfere with sound processing, particularly at critical metrical positions, but embodied familiarity with dance choreography may facilitate meter awareness. Results shed light on the processing of multimedia environments.
机译:观看舞蹈编排的舞蹈或歌手表演时移动时,通常会同时出现舞蹈和音乐。这项研究调查了观看舞蹈动作如何塑造声音感知。以前的研究表明,舞蹈反映了其伴随音乐的时间结构,通过协调的运动模式传达了乐器的节奏(即节拍的层次组织),这些运动模式指示了强节拍和弱节拍的发生位置。此处的实验研究了舞蹈提示对电表感知的影响,假设舞蹈可以体现出电表,从而影响参与者对在不同度量位置出现的声音目标的反应时间(RTs)。在实验1中,参与者观看了具有舞蹈编舞指示的视频4/4米(舞蹈状态)或一系列颜色变化(以4的顺序重复显示)表示4/4米(图像状态)。这些视频伴随着一个音轨,参与者对不同度量位置的音色目标做出了反应。参加者仅在舞蹈条件下以最强的节奏获得最慢的RT。在实验2中,参与者查看了Psy的“江南风格”中的骑马舞蹈的编排,以研究熟悉的舞蹈如何影响仪表感知。此外,该实验的参与者分为具有跳舞这种舞蹈经验的组和没有经验的一组。结果再次显示,RT越慢,度量位置越强,经验丰富的组对度量等级的感知更加精确。结果可能源于听觉和视觉领域在时间上的选择性选择。这项研究对理解有一定的启示:1)将注意力分散在不同的感觉模态中的影响,以及2)体现的影响,对乐器的感知。观看舞蹈可能会干扰声音的处理,尤其是在关键的指标位置,但是对舞蹈编排的熟悉会促进仪表的识别。结果揭示了多媒体环境的处理。

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