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Broadening Humor: Comic Styles Differentially Tap into Temperament Character and Ability

机译:拓宽幽默感:喜剧风格有别于气质性格和能力

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摘要

The present study introduces eight comic styles (i.e., fun, humor, nonsense, wit, irony, satire, sarcasm, and cynicism) and examines the validity of a set of 48 marker items for their assessment, the Comic Style Markers (CSM). These styles were originally developed to describe literary work and are used here to describe individual differences. Study 1 examines whether the eight styles can be distinguished empirically, in self- and other-reports, and in two languages. In different samples of altogether more than 1500 adult participants, the CSM was developed and evaluated with respect to internal consistency, homogeneity, test–retest reliability, factorial validity, and construct and criterion validity. Internal consistency was sufficiently high, and the median test-retest reliability over a period of 1–2 weeks was 0.86 (N = 148). Exploratory and confirmatory factor analyses showed that the eight styles could be distinguished in both English- (N = 303) and German-speaking samples (N = 1018 and 368). Comparing self- and other-reports (N = 210) supported both convergent and discriminant validity. The intercorrelations among the eight scales ranged from close to zero (between humor and sarcasm/cynicism) to large and positive (between sarcasm and cynicism). Consequently, second-order factor analyses revealed either two bipolar factors (based on ipsative data) or three unipolar factors (based on normative data). Study 2 related the CSM to instruments measuring personality (N = 999), intelligence (N = 214), and character strengths (N = 252), showing that (a) wit was the only style correlated with (verbal) intelligence, (b) fun was related to indicators of vitality and extraversion, (c) humor was related to character strengths of the heart, and (d) comic styles related to mock/ridicule (i.e., sarcasm, cynicism, but also irony) correlated negatively with character strengths of the virtues temperance, transcendence, and humanity. By contrast, satire had a moral goodness that was lacking in sarcasm and cynicism. Most importantly, the two studies revealed that humor might be related to a variety of character strengths depending on the comic style utilized, and that more styles may be distinguished than has been done in the past. The CSM is recommended for future explorations and refinements of comic styles.
机译:本研究介绍了八种漫画风格(即,有趣,幽默,胡说八道,机智,讽刺,讽刺,讽刺和犬儒主义),并检验了48种用于评估的标记项目-漫画风格标记(CSM)的有效性。这些样式最初是为了描述文学作品而开发的,在这里用于描述个体差异。研究1检验了这八种风格是否可以在自我报告和其他报告中以两种语言进行经验区分。在总共超过1500名成年参与者的不同样本中,开发并评估了CSM的内部一致性,同质性,重测信度,阶乘效度以及结构和标准效度。内部一致性足够高,1-2周内的重测信度中位数为0.86(N = 148)。探索性和确定性因素分析表明,可以在英语(N = 303)和德语(N = 1018和368)样本中区分这8种样式。比较自我报告和其他报告(N = 210)支持聚合效度和判别效度。八个量表之间的相互关系的范围从接近零(幽默与讽刺/犬儒主义之间)到大而正面的(讽刺与犬儒主义之间)。因此,二阶因子分析显示了两个双极性因子(基于语音数据)或三个单极性因子(基于规范数据)。研究2将CSM与测量人格(N = 999),智力(N = 214)和性格优势(N = 252)的仪器相关联,表明(a)机智是唯一与(口头)智力相关的风格,(b )乐趣与活力和性格外向的指标有关,(c)幽默与心脏的性格优势有关,以及(d)与嘲笑/嘲讽有关的喜剧风格(即讽刺,犬儒主义,也具有讽刺意味)与性格负相关节制,超越和人性的优点。相比之下,讽刺具有讽刺和犬儒主义所缺乏的道德美德。最重要的是,这两项研究表明,幽默可能与所使用的漫画风格有关,涉及多种字符强度,并且与过去相比,可以区分出更多的风格。建议将CSM用于漫画风格的未来探索和改进。

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