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Studying friction while playing the violin: exploring the stick–slip phenomenon

机译:在拉小提琴时研究摩擦:探索粘滑现象

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摘要

Controlling the stick–slip friction phenomenon is of major importance for many familiar situations. This effect originates from the periodic rupture of junctions created between two rubbing surfaces due to the increasing shear stress at the interface. It is ultimately responsible for the behavior of many braking systems, earthquakes, and unpleasant squeaky sounds caused by the scratching of two surfaces. In the case of a musical bow-stringed instrument, stick–slip is controlled in order to provide well-tuned notes at different intensities. A trained ear is able to distinguish slight sound variations caused by small friction differences. Hence, a violin can be regarded as a perfect benchmark to explore the stick–slip effect at the mesoscale. Two violin bow hairs were studied, a natural horse tail used in a professional philharmonic orchestra, and a synthetic one used with a violin for beginners. Atomic force microscopy characterization revealed clear differences when comparing the surfaces of both bow hairs, suggesting that a structure having peaks and a roughness similar to that of the string to which both bow hairs rubbed permits a better control of the stick–slip phenomenon.
机译:对于许多熟悉的情况,控制粘滑摩擦现象至关重要。这种影响源自两个摩擦表面之间由于界面处不断增加的剪切应力而产生的连接处的周期性破裂。它最终导致许多制动系统的行为,地震以及由两个表面刮擦引起的令人不快的吱吱声。在乐器弓弦乐器的情况下,应控制粘滑以提供不同强度的音调。训练有素的耳朵能够分辨出由于较小的摩擦差异而引起的轻微声音变化。因此,小提琴可被视为探索中尺度粘滑效应的理想基准。研究了两种小提琴弓毛,一种用于专业的爱乐乐团的天然马尾,以及一种用于初学者的与小提琴一起使用的合成马尾。原子力显微镜表征显示,当比较两个弓毛的表面时,存在明显的差异,这表明具有类似于两个弓毛摩擦的弦的峰和粗糙度的结构可以更好地控制粘滑现象。

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