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Prevalence of overuse (injury) syndrome in Australian music schools.

机译:澳大利亚音乐学校过度使用(伤害)综合症的患病率。

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摘要

Overuse (injury) syndrome, common in musicians, is characterised by persisting pain and tenderness in the muscles and joint ligaments of the upper limb due to excessive use and in more advanced instances by weakness and loss of response and control in the affected muscle groups. This occurs typically in tertiary music students when their practice load is raised. In seven Australian performing music schools the minimum prevalence of the condition was found to be 9.3%. In two music schools where the study was more controlled the incidences were 13% and 21%. The factors leading to overuse (injury) syndrome may be identified as follows: the genetic factor of vulnerability which cannot be altered; the student's technique which may be influenced by teaching and application so that it is more "energy efficient"; and the time X intensity of practice which is totally within the student's control. Prevention involves education of staff and students about the overuse process, rationalisation of practice habits and repertoire, abolition or reduction of static loading of the weight of the instruments, and earlier reporting when the problem is most easily corrected. Psychological problems arising in this syndrome appeared to occur as a reaction to the condition rather than as a causal factor.
机译:过度使用(伤害)综合症在音乐家中很常见,其特征是由于过度使用而在上肢的肌肉和关节韧带中持续存在疼痛和压痛,而在更高级的情况下,则是受影响的肌肉群无力,失去反应和控制力。当他们的练习量增加时,这通常发生在高等音乐学生中。在澳大利亚的7所表演音乐学校中,发现该病的最低患病率为9.3%。在两所音乐学院中,这项研究受到更多控制,其发生率分别为13%和21%。导致过度使用(伤害)综合症的因素可以确定如下:脆弱性的遗传因素,不能改变;学生的技术可能会受到教学和应用的影响,从而更加“节能”;时间X的练习强度完全在学生的控制范围内。预防包括对员工和学生进行过度使用过程的教育,合理化的练习习惯和曲目,取消或减轻器械重量的静态负荷,以及在最容易纠正问题时及早报告。在这种综合征中出现的心理问题似乎是对病情的反应而不是因果关系。

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