视觉再现与女性主体的重构——从小说《妇女生活》到电影《茉莉花开》

摘要

苏童在其以《妇女生活》为代表的小说世界中塑造了各种＂叛逆女＂,却并不是迎合＂妇女解放＂思潮。侯咏在改编苏童小说的基础上,试图用电影《茉莉花开》打造一部符合女权主义思想的＂女性启示录＂,但最终展现给观众的事与愿违,是一部杂糅、拼贴的＂后现代主义＂的女性故事。这样的一种拼贴风格或许正是当下中国影像文化的真实处境,缺乏真正的思想意识和艺术创见,许多影像产品只是不同思想观念的大杂烩。%In his novel Women＇s Lives,SU Tong created a variety of rebellious girls,which is not to cater for women＇s liberation movement.Based on the adaptation of SU Tong＇s novel,HOU Yong tried to create the feminist film of woman revelation,i.e.Jasmine Women but ended up with postmodernist female story that is genre—mixed and collaged.The style reflects perhaps the real situation of the contemporary Chinese films which lack penetrating judgment.Many films are just hotchpotch of different ideas.