水彩画属于西方绘画的一种，自19世纪末传入中国。1902年“钦定学堂章程”将其列入中小学图画课的色彩教程，具有广泛的普及性。同时，由于高难度的技法要求，最后能成气候者不多。这些年，水彩画在中国有了长足的发展，以民族特点而屹立于世界画坛。但由于社会、观念、群体、修养、技法等等方面的制约，该画种出现了一些硬伤。本文主要针对这一现象，提出自己的思考和主张，有一定的现实和积极意义。%The watercolor is a type of Western paintings , which was introduced to China at the end of the 19 th century .It was included into the color course of paintings in elementary and secondary schools in 1902 , and then was widely popular .Meanwhile , there were few achievers because of high requirements of techniques .In recent years , watercolors have made considerable development in China , standing firm in the world with national characteristics .However , restricted by such aspects as society , concepts , groups , accomplishments and skills , hard wounds have appeared in this type of painting .The author puts forward his thoughts and propositions against this phenomenon in this paper , which is of realistic and positive significance .
展开▼
