本文论述了自1840年鸦片战争以后,中国半殖民地程度不断加深,对一直由官府专营的盐业制度带来严重的影响,在长江中出现了轮船夹私,而且是屡禁不止、愈演愈烈;在东北,日本、沙俄等国采取多种方式,染指我国盐政。对上述情况,尽管我国主管盐务的官员据理力争,采取多种措施,但终因国力衰弱,惩处力度不大,导致效果甚微,纷争不断。%The paper discusses the serious effect of semi-colonial and semi-feudal society on China’s salt monopoly after the Opium War in 1840. On the Yangtze River, more and more ships carried private salt illegally;in the northeast of China, such countries as Japan and Russia intervened the salt administration by various means. Although major salt officials took many measures to cope with them, due to the weakening national power and lack of severe punishment, little effect was reached and debates, conflicts never stopped.
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机译:Chinese Aesthetics and Performance Practice in Three Works for Piano by Chen Yi: Tunes from My Home, Northern Scenes, and Four Spirits =浅析陈怡含有钢琴的作品中涉及到中国艺术美学及演出实践的三首作品:钢琴三重奏《家乡的歌》,钢琴独奏《北方景色》,钢琴协奏曲《四灵》