首页> 中文期刊> 《俄罗斯文艺》 >《作家日记》VS博客——陀思妥耶夫斯基的叙事策略与话语建构

《作家日记》VS博客——陀思妥耶夫斯基的叙事策略与话语建构

         

摘要

早在19世纪下半叶陀思妥耶夫斯基就率先以个人媒体的角色进入了公共空间,独揽一片天地,尽兴地抒发自己的感悟,以公共性的私语实践推行他所倡导的理念。可以毫不夸张地说,他的《作家日记》就是今天网络时评(及博客等)的原型,将它们联系起来考察会引发出众多值得探讨的问题。本文将围绕"作者话语"与"非作者话语"、"作者形象"等问题探讨陀思妥耶夫斯基的叙事策略与话语建构等相关问题,揭示其重要的现实意义以及对网络文学健康发展弥足珍贵的价值和借鉴意义。%As early as in the second half of the 19th century, Dostoevsky took the lead in entering, through his individual media, the public space, where he arrogated a world to himself, expressed his feelings to his heart's content, and carried out his beliefs with his private discourse characterized by publicity. It is no exaggeration to say that his A Diary of a Writer is the prototype of today's network comments on current affairs (and blogs, etc.), so it will arouse numerous noteworthy discussions to link them together for investigation. Focusing on "author discourse", "non-author discourse", "author image", etc., this paper probes into Dostoevskys narrative strategies and discourse construction and brings to light their realistic significance, precious values and important lessons that merit the healthy development of network literature.

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