Authoritarian societies that follow certain rules in the religious,cultural,and political realms tend to be little tolerant of other views and practices.There is a very revealing research niche for the study of“otherness”in the regulated fields of human activity.Yet,a niche within a niche is a study of historical or,in any case,former practices that come back to life after a gap of many decades.This is the case with church music of the last decade of Soviet history that has returned to artistic practice after a sixty-year ban.The article examines the socio-cultural circumstances that accompanied the creation of a number of works in various church genres written by professional Soviet composers,supported by a brief description of these works.Information about atheistic ideology,cultural doctrine,music management,and church life in the USSR completes the range of topics discussed.
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机译:阿尔伯特·维西亚诺(Albert VICIANO),Retórica,FilosofíayGramática和Aduersus Nationes de Arnobio de Sica,彼得·朗·韦拉格(“ Patrologia。Contribution to the Study of the Church of Study of the Church of Study of the Church of Study”),第三辑,美因河畔法兰克福,1993年,XIV + 310 pp。 14.8 x 21。