D. H. Lawrence's"Tickets, Please"displays a wartime love story between Coddy and Annie. In their love affairs, Coddy, the man of impotence deems his freedom much as before while Annie switches back to the traditional female role to consider marriage as the ultimate goal. In"Tickets, Please", the incidental effects of progress on humanity are shown through the Lawrentian central theme of the relationship between men and women. Here, the weaker sex and the stronger sex are respectively and ironically embodied by Annie Stone and John Thomas Raynor. This paper analyzes the wartime setting, the tram girls and the love struggle between Annie and Coddy. Through these analyses, the paper reveals the awakening of feminist consciousness in the story.
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