铺采摛文、感物伤情与喻理比德--魏晋动物赋的三种创作方式

摘要

动物赋在汉代兴起之时，就形成了动物赋创作方式的雏形，但受制于各种因素的拘约，并未取得卓越的艺术成就。至魏晋时，由于社会环境、思想文化、文士心态、动物观念的演变以及赋体文学的自身发展等诸多因素的影响，促使魏晋动物赋迎来了繁荣时代。在这一时期，动物赋的创作方式也逐渐成熟起来，最终形成了铺采摛文以体物、“以己化物，物以情观”与体物以喻理比德三种创作方式，极大地提高了动物赋的艺术表现力，促进了魏晋动物赋的繁荣。%When animal Fu ariseedin Han dynasty, it begined to establish the creation mode . Because of a variety of factorslimited,it couldn‘t obtain theoutstanding artistic achievement. In Wei Jin dynasties, as a result of social cultural environment mutation, the mentalityof authors the con-cept on animal and the Fuwith describing object had rich achievements , animal Fuushered in the era of prosperity. During this period, the creation methods of the animal Fu was also gradually mature. Eventually ,it formed three modes:describe the animal by the graceful vocabulary ,“make him-self become an animal and describe the animal with emotional feeling”and describe an animal for expressing some truth on philosophy or morality . These modesgreatly improve the artistic expression of animal Fu and considerably promoted the prosperity of animalFu in Wei Jin .