和解・反抗・介入--论藏族作家次仁罗布的写作三重奏

摘要

The Tibetan writer Tsren Luobu shows his unique ingenuity of trio in his works: in reaching the reconciliation with the outside world , he uses dialectics flexibly , achieving the representation of Ti-betans’ life tensity;in the keen insight on “missing” and“dislocation”, he doubts the established ideas and inertial thinking , resisting the squeezing of writers by outside world with the release of their innermost soul;in the digging of the depth of soul , he immerses the original and fresh life of Tibetans , initiating the double torture between himself and history .Those three techniques enhance each other , not only helping construct its unique aesthetic value , but also performing the responsibility and mission of the rectification the name of the Tibetan culture .%藏族作家次仁罗布的创作内蕴着独具匠心的三重奏：通过辩证法的灵活运用与外部世界达成和解，实现对藏民生命张力的有机呈现；在“缺失”与“错位”的深刻洞察中质疑既定观念和惯性思维，反抗外部世界对作家主体的挤压，实现性灵深处的呐喊；在对灵魂的深度开掘中介入藏民原生态的鲜活生命，开启对自我与历史的双重拷问。三重技法交相辉映，一方面助力其独特审美价值的建构，一方面践行着为藏族文化正名的责任与使命。