论新疆风格琵琶曲的特征——以《恰尔尕主题随想》和《天山之春》为例

摘要

Pipa developed highly in Xinjiang in the history. In the 1980s,musical circles put forward that Pipa in Xinjiang should be revived. Then, some composers and musicians explored the creation, adaption and artistic skills of Pipa in Xinjiang. Based on the research of predecessors, taking "therandom thought of Qiarga and Spring of Tian Shan Mountains" as examples, the author decribes the basic characteristics of Pipa music with Xinjiang style after analyzing background of creation, source of materials, structure and development of melody, rythem and tempo and artictic skills.%历史上，琵琶曾在新疆有过高度的发展。20世纪80年代，新疆音乐界提出在新疆重振琵琶音乐的问题。之后，一批作曲家和演奏家在新疆风格琵琶曲的创作、改编及演奏技法等方面进行了有益的探索。本文在前人研究的基础上，以新疆风格琵琶曲《恰尔尕主题随想》和《天山之春》为个案，从创作背景、素材来源、结构与旋律发展手法、节奏节拍以及演奏技法等方面进行分析，描述新疆风格琵琶曲的基本特征。