政治场域中的主体泛化与地域性重构——文革时期新疆美术活动举要

摘要

文革时期的新疆美术在倡导主体的群众性、业余化的同时，注重军民、民族团结和谐的主体性征，不仅发展出多样的群众美术活动，而且借助群众和专业美术家的才能，从特定的地理空间和文化语境出发，围绕政治纲领，对文革样板美术进行了一次地域性重构。%The Art of Xinjiang in the Great Cultural Revolution Period has been advocating the publicity and amateur for produce, and paying attention to the armycivilian, folk comity of character of subjectivity, which was not only developing varies public art movements, but also reconstructing the form of art of the Great Cultural Revolution by the public and specialty, who were based on the geographical and cultural background.