In a process of modernization and urbanization, traditional ethnic villages are deconstructed and reconstructed, and cultural contests in all forms of conflicts and collision are inevitable. However, adjustment as a result of contests usually becomes the consensus of cultural subjects. In a space and time of great change and multi-dimension, traditional marriage culture of Miao People necessarily come into contact with other cultures and merge with them while borrowing and reconstruction is a convenient approach to adjustment.%伴随着“现代性介入”以及城镇化的不断盛行,原本相对传统的民族聚落格局不断被打破和重构。在现代性强势入驻过程中,“冲突”与“碰撞”等一系列“文化较量”在所难免。而在“较量”过程中,调适则成了文化主体间的普遍“共识”。在巨变和多维的时空下,苗族传统婚姻文化免不了与“异文化”接触、碰撞、融合等文化实践,而采借和重构则是其调适“自我”的路径。
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