丝绸纹饰对“香山帮”彩画作的影响

摘要

建筑彩画与丝绸纹饰均是彰显身份、体现等级的重要载体,“香山帮”匠人巧妙地将丝绸纹饰借鉴到建筑彩画的作品中,其“包袱式”构图和“锦纹的图案”都体现出了吴地丝绸艺术的辉煌.通过图像资料的分析,以及文献资料的印证,梳理了留存至今的明、清两代建筑中“香山帮”彩画作的精品,还原了“苏式彩画”最本真的面貌.等级较低的民居建筑中彩画以“锦纹”装饰为主体,既不僭越体制又凸显纹彩华章之富贵,其风格清丽且具有强烈的地域性.通过比对民居建筑与皇家建筑彩画装饰题材、构图形式、装饰部位等方面的异同,分析了“香山帮”彩画作的演变与发展.%Both the color paintings of the building and the silk patterns are important carriers to represent the identity and the status.Craftsman in "Xiangshan Group" skillfully apply silk patterns in color paintings of the buildings."Bag-type" shape and "brocade patterns" reflect the glory of silk art in Wu area.This paper through analysis of image materials and verification of literatures organizes quality works of color paintings of "Xiangshan Group" from the buildings in Ming dynasty and Qing dynasty and restores the realest features of "Su-type color paintings".Among low-level residential buildings,color paintings are based on "brocade pattern" decoration which does not arrogate the structure,but highlights richness.The style is elegant and beautiful with strong regionalism.Through comparing differences in the decoration theme,shape of composition and decoration part of color paintings of residential buildings and royal buildings,this paper analyzes the evolution and development of color paintings of "Xiangshan Group".