Since the beginning of the New Period,private spheres have promoted the modern transforma_tion of literary and art activities,through delimiting public power• However,due to the fact that private spheres themselves bear multiple predicaments and shortcomings,their negative influences on contempo_rary literary and art activities must not be neglected• While stressing upon their critique of literary and art authorities,they slacken their guard against instinctive desires and cultural non_consciousness,and this directly leads to the crisis of desirizatiom and re_feudalization faced by aesthetic taste in literary and art activities• In view of this kind of tight correlation between the private sphere and literary and art activi_ties,any measure adopted to advance a healthy development of the latter are not only to go on with the maintenance of their freedom and the connotation of personality,but to pay attention to the building_up of sound and independent private spheres,and make literature and art and life undertake the responsibili_ty of mutual support as well•%自新时期以来，私人领域通过对公权划界，促进了文艺活动的现代转型，但同时造成一些消极影响。私人领域侧重于对外在权威的批判，但忽视了对本能欲望和文化无意识的警惕，这直接导致当代文艺活动在审美趣味上面临欲望化和再封建化的危机。我国私人领域在结构、组织上的缺钙软骨症，也使文艺活动很容易受制于权力和资本，并在叙述空间和叙述价值上走向断裂与虚无。私人领域在当前的全面传媒化，不仅使文艺活动主体的理性反思能力遭到压制，也使文学公共领域陷于“伪私人”状态。而在私人领域遭受商业与知识的联手收编之后，当代文艺活动也面临更加严重的科层化、工具化危机。鉴于私人领域与现代文艺活动的这种相关性，任何力图促进文艺活动健康发展的举措，不仅要继续维护文艺的自由、个性内涵，而且要注意培育健全独立的私人领域，让文艺与生活承担起相互扶助的责任。
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