冷峻背后的暖意斜阳——解析《秋天死于冬季》中的知识女性形象

摘要

In the contemporary life, female intellectuals are easy to fall into self-uncertainty or even serf-deniM under the multipressure from society, family and work when they are dealing with their love and marriage. In that case, they have to reconsider their value of love and life. Zhao Mei describes series of feminine images such as Qing Gang and Hong in her writing Autumn Died in Winter in order to express the profound understanding of love and marriage from the bottom of her heart. Love is the blend of passion, sex and emotion, but the way of female to completely save love needs rational adjustment, integration and full support of spirit instead of the blind giving and sacrifice.%当代知识女性在追求婚姻爱情时，面对社会、家庭、工作的多重压力，往往容易陷入对自我的不确定，甚至是否定，她们不得不开始重新审视爱情和人生。赵玫在《秋天死于冬季》中借青冈和虹等一系列女性形象，表达了她内心对于婚恋爱情的深刻认识，爱情中不仅有激情、性爱、情感交融，女性一味的付出真心和牺牲并不能彻底拯救爱情，还需要理性的调节与包融，需要强大精神的有力支撑。