"Qi Ye"is not written by historians but told by the descendants and passed through rituals.It indirectly reflects the fact of the following the ritual of drink of the Yin and Shang Dynasties in the early Zhou Dynasty.It is most likely that the narration comes from the family of Bi Gong's descendants during the Zhao and Mu periods.It is the product of the ris-ing of the new ritual culture."Qi Ye"at first exists and is spread in the form of music language of Yuezheng and Yuejiao, and then is developed into the bamboo slips during the period of Chunqiu and Zhanguo.The meaning of the narration of"Qi Ye" lies in the protruding of images of Zhou Gong and Bi Gong and praising their spirit of obeying rituals and stressing education.%《耆夜》非史家实录而源于后代追述，仪式传承。《耆夜》“夜爵”读作“夜爵譸（詶）”，譸（詶），不同于后世献礼之“酬”，“夜爵譸（詶）”节序为：斟满酒杯置于客人之前，遂祝颂咏歌以劝酒助兴。“监饮酒”之本义非以礼防饮酒过度，而是罚酒劝饮，礼书“司正”职能乃由早期“监饮酒”职能反向超越转化而来。其所记“饮至礼”间接曲折地反映了周初因袭殷商饮酒礼（言礼或燕礼）的实况；其叙事出于毕公高后裔楷氏一族，始出时间以昭、穆时期可能性最大，是新礼乐文化勃兴之产物。《耆夜》所载周公歌诗皆具有道德训诫意味，正体现了《周礼》大司乐“中”、“和”、“祗”、“庸”乐德四教的内容；武王诗“恁仁兄弟，庶民和同”一句可与乐德“友”德相应；其叙述形式则蕴涵了乐德“孝”德之义。《耆夜》始出便以乐政、乐教之乐语形态存在并传播，直至春秋战国之际在晋楚演为书篇。《耆夜》述作之义在于：突出周公、毕公在早期饮至礼上的形象，以阐扬周公当初制礼作乐之精神，强化乐政德教。
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