劫后花开寂寞红--论道咸时期的“词史”写作

摘要

During the reigns of Emperor Daoguang and Xianfeng,the social instability provoked the emergence of a large quantity of lyrical works that recorded and reflected both the historic environment and inner worlds.Within this high tide of the writings of Song-lyrical history ci writers explored and pursued the appropriate ways to express their experi-ences,feelings as well as reflections.While straightforward narration and writings with affected pathos being the main trend,the utilization of representations via analogy and the formation of communal voice through writing on the same sub-ject also came into play.Tan Xian,a representative of theorists from Changzhou School,took the lead to systemize and criticize these works writing on theSong-lyrical historyand in the meanwhile advocated for some of the lyrical works u-sing the method of representations via analogy.%清道光、咸丰年间，社会动乱频仍，纪录、反映历史、人心的词作随之大量涌现。在这个“词史”写作的高潮中，词人们探寻着恰当的方式，以表达其所见闻、感慨与反思。直陈其事的述说与一唱三叹之低吟占据着主流，而比物连类的寄托与同题共作之群言也已发端。以谭献为代表的常州词派理论家，首先对这一批“词史”写作成果展开整理与批评，推扬了其中部分“比兴寄托”的词作。