乾嘉汉学作为清代中期官方推崇的主流学术,与文学呈现出某种同构之势,涉及到三个层面:文人与学者的兼容、汉学介入文论话语及文学创作的炫学化倾向,反映出乾嘉时期学术风尚与文论思潮之间的复杂关联。%The sinology in Qianjia period,as the mainstream in academy held in high esteem during the middle of Qing Dynasty,presenting some kind of intendency in isomorphism,is involved in three aspects: the compatibility between writers and scholars,the sinology inserting into literary discourse and the intendency in metaphysics of literature.
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