20世纪八十年代后的中国交响音乐的民族性研究

摘要

Chinese symphonic creation enter prosperous period in twentieth Century eighty years, with national characteristics and spirit of the times of the symphonic music, has become the common desire of most musicians. In this paper, China symphonic music since the eighty as the focus, the paper studies on the national level, mainly from the musical form analysis:ethnic melody, five tone scale,"non three"overlap and"the color"connection harmonic language, rich rhythm, Chinese musical tradition structure, rich and enchanting music and color, and tries to extend to the music aesthetics and philosophy culture level.%中国交响音乐的创作在20世纪八十年代以后进入繁荣时期，创作具有中国民族特色和时代精神的交响音乐，已成为大多数音乐家的共同心愿。本文以八十年代以来的中国交响音乐为重点，就其民族性进行研究，主要从音乐形态的层面分析：民族性的旋律、五声性的音阶、“非三度”叠置与“色彩性”连接的和声语言、丰富的节奏节拍、中国音乐的传统结构、丰富迷人的音乐色彩等，并且力图延伸到音乐美学与哲学文化的层面。