首页> 中文期刊>湖南科技学院学报 >洛夫《石室之死亡》新探——兼论中国现代诗的“晦涩”倾向

洛夫《石室之死亡》新探——兼论中国现代诗的“晦涩”倾向

     

摘要

"Poetic magic" Luo Fu whose Poetry of obscurity there have always different evaluations, in particular the views on The death of the stone room which was written during: the exploration period of the poem. The obscure performance of The death of the stone room are in four areas: structural forms of "integrity" and "non-integrity", language components of non-complicated logic and a large of complex rhetorics, images of complicated and non-rational connection, radioactive and pluralism of the topic. The influence of Western modernist poetry in particular surrealist poetry, as well as Luo Fu's unique experience of life and his poetic view is the major reason. And when we look at the development of Chinese modem poetry, the issue of obscurity is always controversial. Appropriate obscure is allowed, but too obscure effect the readers'reception will also hinder the forward of Chinese modem poetry.%“诗魔”洛夫诗歌创作的晦涩倾向历来有毁有誉,尤其表现在探索时期的诗作《石室之死亡》上。《石室之死亡》晦涩倾向具体表现在四个方面:结构形式的“完整性”与“非完整性”,语言构成的非逻辑性及修辞的繁复性,意象的繁复与非理性联结,主题的放射性与多元性。西方现代主义诗风尤其是超现实主义诗风的影响,以及洛夫独特的生命体验及其诗学观是主因。纵观中国现代诗的发展历程,始终存在晦涩与或的争议。适当的晦涩是允许的,但过度的晦涩影响读者接受,也会阻碍中国现代诗的前行。

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