"至亲互保"情节是侦探小说中重要的情节模式,这一情节在程小青的《狐裘女》、高罗佩的《红阁子》及横沟正史的《犬神家族》中极具典型性."至亲互保"情节在侦探小说中一方面有助于强化作品情节本身的悬疑性和曲折性,另一方面也成为作者展现真实人性的重要载体.面对"至亲互保"情节中孝道伦理与法律精神的潜在冲突,侦探小说家不仅通过多样的叙事策略来对其加以淡化和消解, 而且还使这一故事情节与侦探小说一直以来秉持的劝善惩恶这一道德观念有机统一.与此同时,"至亲互保"情节既投射出侦探小说家对于传统孝道伦理的潜在认同,亦在社会现实和时代剧变的关照中,映射出更为丰富的思想意蕴.%The plot concerning mutual protection of close relatives is an important genre of plot in detective stories, which are typically described in TheWomanwithFox furRobby Cheng Xiaoqing, The Red Pavilion by Gao Luopei and Inugamike No Ichizoku by Seishi Yokomizo. The plot of mutual protection of close relatives can not only strengthen the suspicion and tortuosity of plots in detective stories, but also is the important carrier for authors to reveal real and good humanity. Confronted with the potential conflicts between filial piety and law in the plot involving mutual protection of close relatives, authors of detective stories not only desalt and clean up the conflicts by means of different kinds of narrative strategies, but also make the plot being consistent with the moral idea that persuade people to be good and penalize the vicious to which detective stories have always adhered. At the same time the plot of mutual protection of close relatives in detective stories not only reflects authors' potential approval of traditional filial piety, but also reveal more plentiful ideological implications in the context of social reality and the abrupt change of times.
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