首页> 中文期刊>贺州学院学报 >关良京剧人物画中笔墨造型的独特性

关良京剧人物画中笔墨造型的独特性

     

摘要

Guan Liang was a brilliant modem Chinese painting master in the history of the great master, this is especially in his character of the opera and unique style of the proposals in the form of moldings, he advocated the east, using a simple and dear, and geometry and vary in size Deformation in the application, make the rich and flavor, and the men bring a similar of innocent children, and pen, ink, and in the form in conduct more of its unique design%关良先生是中国近现代画坛不可或缺的绘画大师,尤其表现在其戏曲人物画中及具特色的笔墨造型风格当中。在造型上,他主张造型简练和明确,利用几何型、内外穿插型以及变形在画面中的交叉运用,使画面丰富且又有韵味,简洁化的笔墨给人一种近似儿童般的天真,同时笔、墨、色在造型中的不同表现更加体现出其造型的独特性。

著录项

相似文献

  • 中文文献
  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号