In her works written during the May 4th Movement, Feng Yuanjun, a female writer of new litera-ture, who has contributed three novel anthologies-Juan Shi, Chun Hen and Jie Hui-focuses on the heroine’ s pain due to her hesitation, indecision and struggle between her parent-child love and love for lovers. The destiny of the heroine’ s painful struggle in “love” is consistent with the conflict between the authoress’ rebellion under the impact of new ideas and her conversion because of her love for her mother. The vacillation between rebellion and attachment reflects exactly the plight of female intellectuals of the May 4 th Movement who have just made an appear-ance in society in the period of transition. Judged from the second and the third sections of her Tao Sha, it is ra-tional and inevitable that Feng Yuanjun should depict her pain of “love” in a highly autobiographic manner.%为“五四”文坛贡献了《卷葹》、《春痕》、《劫灰》这三部小说集的新文学女作家冯沅君，在此期小说中重点刻绘了女主人公在亲子之爱与情人之爱之间犹豫、彷徨、挣扎的痛苦情状。女主人公在“爱情”中痛苦挣扎的命运和作者自身因受新思潮的影响而具有的反叛性、因母亲之爱而具有的皈依性之间的冲突正相吻合。这种在反叛与眷恋之间的左右摇摆，拔心不死，正反应了“五四”一代刚刚浮出历史地表的女性知识分子在过渡时期的艰难处境。而从冯沅君的《淘沙》(二)(三)来看，她以自叙传色彩浓厚的方式来抒写自己的“爱情”之痛，乃是一种有着理性认知背景的必然。
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