浅论男装设计中的异质同构现象

摘要

现代男装设计所涉及的异质同构的范畴中，在色彩、面料和款式这三个层面上，男装设计一直期望能够“有所作为”。由沉稳的灰黑系列到张扬帅性的高纯色彩、从奢华的天鹅绒到塑胶材料PET、从收腰的反复到可见工艺的植入，男装设计无不在彰显一个关于蕾丝、花边、长筒袜与裸露是否专属于女性的问题，通过这些基本素材的低级置换来阐述现代美学一个基本立场，就是所要讨论的设计范畴内关于人或物的外部形式与内在内容的角色置换并非像传统男装设计如此的一成不变，打破常规才能更好地理解现代美学对于社会文化关系的重要意义，也是现代美学所倡导的视觉艺术形式的多元，似乎一切规律都有例外，一切的例外也总能寻得一定的规律。%Heterogeneous isomorphism involved in the category of modern menswear design, menswear has been expected to “make a difference” in the three levels: “colors, fabrics and styles ”. From the steady grey black series to high pure color, from luxurious velvet to plastic materials PET, from repeated waist to implantation of the visible process, menswear design are highlighted a lace, lace, stockings and bare whether are not unique to female problem. The low-level replacement is introduced a basic standpoint of modern aesthetics, that is the external form and the inner content in the role of replacement of a person or thing in design category to be discussed is not like the traditional menswear design so immutable and frozen, and breaking the normal procedure can better understand the significance of modern aesthetics to social and cultural relations, and that is the modern aesthetic is advocated the multiple visual art form. It seems all rules have exceptions and all exceptions can always find some rules.