故乡风景与“怀乡人”面相--基于鲁迅《故乡》与莫言《白狗秋千架》的比较分析

摘要

Memories and descriptions of hometown landscapes are the theme of homecoming narratives .In Hometown, Lu Xun appears as a torchbearer and relates his inner pain and uncertainty to the fading hometown landscape .However, in White Dog Swing, Mo Yan shows us the vitality of his hometown instead of a torchbearer .With historical backgrounds compared , we can un-derstand the thoughts of the homesick .%在传统的“归乡叙事”中，对故土风景和人事的回忆和描述是故事的主题。鲁迅因循《故乡》中残旧破碎的“风景”确立自己的启蒙者角色，并呼应其内心的悲痛和焦虑。《白狗秋千架》中的莫言则在传统的“归乡叙事”之上，更多地复原故乡“风景”的多面之相，不仅消解了启蒙的意味，在更深的层面上，展示了故乡旺盛狂野的生命力。联系两部作品产生时的历史语境，可以一窥“怀乡人”面目。