首页> 中文期刊>妇女研究论丛 >跨媒介流传的艺术沟通与女性光芒——《戴珍珠耳环的少女》的女性主义探析

跨媒介流传的艺术沟通与女性光芒——《戴珍珠耳环的少女》的女性主义探析

     

摘要

跨媒介的艺术名作《戴珍珠耳环的少女》,始自17世纪荷兰著名风俗画画家杨·维梅尔的经典画作,中经美国女作家特蕾西·雪佛兰的流行小说,再到英国导演皮特·韦伯的成名电影,3位艺术家分别以颜料、文字和影像的不同艺术材质,以不同的时空艺术表现形式,生动展现了交织着青春、爱情、欲望、诱惑、退却与隐忍的人性故事。在光影交织的空间艺术画作里,戴珍珠耳环的青春少女,珍珠上流转着女性光芒;而小说文本与电影作品共同塑造的主人公葛丽叶,映现出女性追求人格独立的刚毅与保持个体尊严的自觉。%The cross-media artistic masterpiece Girl with a Pearl Earring began with the famous Dutch painter Jan Vermeer's classic genre painting in the 17th century, then continues with the U.S. writer Tracy Chevalier's popular fiction, and finally finishes with the British director Peter Webbefs famous film. With paint, text and visual images of different artistic materials, and with different spatial and temporal artistic forms, these three artists vividly demonstrate the human stories which have intertwined with youth, love, lust, temptation, retreat and tolerance. In Vermeer's artistic work, the young girl wearing pearl earrings shows women's radiance. And in the novel and the film, the same name of heroine Griet illuminates women's independence and dignity.

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