史论融合追求卓越--评《中国报告文学新论--从新时期到新世纪》

摘要

Zhang Luosheng’s The New Literary Theory of Chinese Reportage: from the New Era to the New Century , which uses double narrative structure and history of fusion expression, summarizes the Chinese reportage develop-ment context-“from conflict to harmony”,“from the poles to the intermediary”and“from one to multiple”, and presents the view of“new five”reportage’s stylistic nature and the new evaluation of“aesthetic and cultural com-plex”. In view of the unfair situation of the history of Chinese literature of attaching much greater importance to fic-tion than to nonfiction, The New Theory pays attention to the establishment of“reportage discipline“ in order to ap-peal for the“rewriting“ of the literary history of a hundred years.%章罗生的论著《中国报告文学新论--从新时期到新世纪》采用复式的叙述结构、史论融合的表达方式，概括了中国报告文学“从冲突到融合”、“从两极到中介”、“从一体到多元”的发展脉络，提出了报告文学文体性质的“新五性”以及“审美文化复合体”的新评价。针对中国百年文学史重虚构而轻纪实的不公状况，论著重视“报告文学学”的建立，以呼吁百年文学史的“重写”。