电影《南京！南京！》叙述视角分析

摘要

The ambiguity of the movie"The City of Life and Death" lies in its narrative perspective:from the viewpoint of Jiaochuan, a Japanese soldier in the Anti-Japanese War. By using this narrative perspective, the director of the movie intends to re-interpret the nature of the war. In the movie, Jiaochuan is described as a good soldier while other Japanese soldiers are regarded as bad ones, which seems logical. However, using Jiaochuan as the narrative perspective does not mean that the theme of the movie is convincing, but makes it controversial in revealing the nature of the war.%《南京！南京！》是一部在国内争议很大的电影，它主要体现在冒险地颠覆了以前反映南京大屠杀的模式，从一个日本士兵角川的视角来串联整个故事，重新诠释了战争的本性，在概述了日本士兵全貌之外，也凸显了日本士兵同为战争的受害者、反思者的主题。电影中勾勒了很坏的日本兵群像，而刻画了一个好的角川士兵，逻辑上看似站稳脚跟，但关键问题是，以角川这个孤例人物来通篇说明战争中人性存在的真实性，其说服力并不强。电影以个体人性真实的放大为叙述视角，从而强调战争中人性和历史的真实，此叙述视角值得探讨与反思。