简谈云冈石窟造像特征

摘要

我国的石窟造像兴盛于魏晋南北朝,隋唐时与日俱增,一直延续到13世纪。而在魏晋南北朝时期佛教造像中最重要、最能体现佛教艺术兴盛景象的,无疑是石窟造像。就其风格发展演变而言,大致可以分为4个阶段。十六国期为第1阶段;北魏者文帝迁都以前为第2阶段;北魏迁都至正光末年为第3阶段;东西魏至隋统一中国之前为第4阶段。云冈石窟造像是其第2阶段的代表。%China＇s Grotto flourished in the Wei,Sui and Tang dynasties,when growing,lasted until the 13th century.In the Southern and Northern Dynasties Buddhist statues in the most important and best embodies the rise of Buddhist art scene is undoubtedly the Grotto.Its style is the evolution can be divided into four stages.Sixteen States of the Phase 1;the Northern Wei Dynasty by Emperor moved the capital before the Phase 2;the Northern Wei Dynasty moved the capital to positive light late stage 3;things Wei Sui unified China for the first four stages before.Yungang Grotto representatives of the Phase 2.