园林作为戏曲中经典的表现场景,因其自身相对综合、感性而符合了含蓄内敛的戏曲创作者表达情感的需要,成为戏曲故事情节发展的承载体,甚至作为主要的舞台布景形式.通过对《西厢记》中分散的园林场景的归纳,还原出一个属于张、崔浪漫爱情的普救寺,并结合故事的起承转合来剖析其特点和空间构成,如“待月西厢下”的梨花深院和“情定终身”的后花园.使普救寺既作为故事内容的延展,又成为人物情感的依托,从而反映园林对于戏曲情节发展和人物塑造的推动作用.%As a typical background scene in Chinese classical opera, garden undoubtedly remains as the favorite of implicit opera artists to express emotions due to its complicate and sentimental features, and thus becomes as the carrier of the plot development, even as the primary form of stage sets. Based on the summary of the garden scenes scattered in the famous Chinese dramatic work of The Romance of West Chamber, this paper tries to restore the Pujiusi Temple with romantic love story between Cui and Zhang, and analyzes the architectural features and spatial construction such as the Lihuashenyuan Garden and Houhuayuan Garden, combined with the development of the story. So the Pujiusi Temple is not just seen as the extension of story, but also the reflection of the figures' emotion, and can decipher the promotional effect of the garden scenes on the plot development as well as the characterizations.
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