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From 'They' Science to 'Our' Science: Hip Hop Epistemology in STEAM Education.

机译:从“他们”科学到“我们”科学:STEAM教育中的嘻哈认识论。

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摘要

Hip hop has moved from being considered a type of music into being understood as a culture in which a prominent type of music originates. Hip hop culture has a philosophy and epistemological constructs as well. This study analyzed those constructs to determine how conceptions of science factor in hip hop worldviews. Pedagogical models in culturally responsive teaching and Science, Technology, Engineering, Arts, and Mathematics (STEAM) education were also examined to discern their philosophical connections with hip hop culture. These connections were used to create two theoretical models. The first one, Hip Hop Science, described how scientific thought functions in hip hop culture. The second model, Hip Hop STEAM Pedagogy, proposes how hip hop culture can inform STEAM teaching practices.;The study began by using Critical Race Theory to create a theoretical framework proposing how the two theoretical models could be derived from the philosophical and pedagogical concepts. Content analysis and narrative inquiry were used to analyze data collected from scholarly texts, hip hop songs, and interviews with hip hop-responsive educators. The data from these sources were used initially to assess the adequacy of the proposed theoretical framework, and subsequently to improve its viability. Four overlapping themes emerged from the data analyses, including hip hop-resistance to formal education; how hip hop culture informs pedagogical practice in hip hop-responsive classrooms; conceptions of knowledge and reality that shape how hip hoppers conduct scientific inquiry; and hip hop-based philosophies of effective teaching for hip hoppers as a marginalized cultural group. The findings indicate that there are unique connections between hip hop epistemology, sciencemindedness, and pedagogical practices in STEAM education. The revised theoretical framework clarified the nature of these connections, and supported claims from prior research that hip hop culture provides viable sites of engagement for STEAM educators. It concluded with suggestions for future research that further explicates hip hop epistemology and Hip Hop STEAM Pedagogy.
机译:嘻哈已经从被认为是一种音乐转变为被理解为一种起源于一种突出音乐类型的文化。嘻哈文化也有一种哲学和认识论的建构。这项研究分析了这些结构,以确定科学概念在嘻哈世界观中的影响力。还对文化响应型教学和科学,技术,工程,艺术和数学(STEAM)教育中的教学模型进行了研究,以发现它们与嘻哈文化的哲学联系。这些连接用于创建两个理论模型。第一个是嘻哈科学,它描述了科学思想在嘻哈文化中的作用。第二个模型是Hip Hop STEAM教学法,它提出了嘻哈文化如何为STEAM教学实践提供信息。该研究首先使用批判种族理论创建了一个理论框架,提出了如何从哲学和教学概念中衍生出两种理论模型。内容分析和叙事探究被用来分析从学术文献,嘻哈歌曲和对嘻哈敏感的教育者的访谈中收集的数据。这些来源的数据最初用于评估所提出的理论框架的适当性,然后用于改善其可行性。数据分析出现了四个重叠的主题,包括对正规教育的嘻哈抵抗;嘻哈文化如何在响应嘻哈的教室中指导教学实践;知识和现实的概念,塑造了臀部跳跃者进行科学探究的方式;以及以嘻哈为基础的有效教学理念,将其作为边缘化的文化群体来指导嘻哈者。研究结果表明,在STEAM教育中,嘻哈认识论,科学思想和教学实践之间存在独特的联系。修订后的理论框架阐明了这些联系的性质,并支持先前的研究认为嘻哈文化为STEAM教育者提供了可行的参与场所。最后提出了一些建议,以供将来研究的参考,这些研究将进一步阐明嘻哈认识论和嘻哈蒸汽教学法。

著录项

  • 作者

    Dolberry, Maurice E.;

  • 作者单位

    University of Washington.;

  • 授予单位 University of Washington.;
  • 学科 Educational philosophy.;Cultural anthropology.;Pedagogy.;Multicultural Education.;Science education.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 181 p.
  • 总页数 181
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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