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Reconciling Craft with Digital Design: Building a New Infrastructure.

机译:使工艺与数字设计协调一致:建立新的基础架构。

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摘要

Digital fabrication has emerged over the past few decades as a powerful tool for constructing architecture that concretely defines complex forms while redefining conventional human understandings of materials. However, far too few studios employ digital fabrication techniques in actual construction. Several known causes are blamed for the limited growth of digital fabrication in practice including high amount of risk, resistance to learning new technologies and processes, and budget constraints. These difficulties need to be overlooked in favor of the true benefits gained from learning, researching, and manipulating digital fabrication techniques beyond model representation: the reconnection of the architect with the act of construction, the discovery of new and different materialities, and more complex yet more informed design solutions. Fellow architect, Lisa Iwomoto, (IwamotoScott Architecture) has expanded beyond the usual raw products of digital fabrication (surface and planes from sheet goods) by incorporating the material operation of "folding." Iwomoto states that "folding" is the most useful digital fabrication technique to architects because it gives structure, volume, and a three-dimensional construction ethic to a two-dimensional plane.* Meanwhile, the firm SHoP envisions the future of digital fabrication within architecture to be essentially linked with reevaluating the format of construction documents. Some of the firm's nontraditional projects have had construction documents that read more like a piece of Ikea furniture's assembly directions rather than traditional plans, sections, and details, which streamlines and, therefore, accelerates construction. With so many inspiring and refreshing digital projects breaking ground, it is only logical to wonder, "What is holding us (the construction industry) back?";This research will produce a design for new civic infrastructure that serves the Waterfront and Central Business District of Cincinnati. Using current downtown development trends and pedestrian traffic patterns, this design intends to provide a pedestrian connector that both serves function as well as decorates the city as a public work of note. The opportunities for weaving useful urban design and digital craft are maximized with this program. Using digital processes of making, the design will attempt to verify the research: that these processes reconnect the architect with the act of construction and making. The design and fabrication attempts to answer the question "How do men put this together" in the best and most accurate way possible.;*Lisa Iwomoto, Digital Fabrications (New York: Princeton Architectural Press, 2009), 62.
机译:在过去的几十年中,数字制造已经成为一种强大的工具,可用于构造可在重新定义人类对材料的传统理解的同时具体定义复杂形式的建筑。但是,很少有工作室在实际施工中采用数字制造技术。在实践中数字制造的增长有限归咎于几个已知的原因,包括高风险,对学习新技术和工艺的抵制以及预算限制。需要克服这些困难,而要受益于学习,研究和操纵数字制造技术所获得的除模型表示之外的真正好处:建筑师与构造行为的重新联系,发现新的和不同的实质性材料以及更加复杂更明智的设计解决方案。资深建筑师Lisa Iwomoto(IwamotoScott Architecture)通过合并“折叠”的材料操作,已扩展到数字制造的常规原始产品(板材的平面和平面)之外。岩本表示,“折叠”是建筑师最有用的数字制造技术,因为它可以将结构,体积和三维构造伦理赋予二维平面。*同时,SHoP公司设想了建筑中数字制造的未来。在本质上与重新评估施工文件的格式有关。该公司的一些非传统项目的施工文件读起来更像是宜家家具的组装指导,而不是传统的计划,部分和细节,从而简化并加速了施工。在如此众多令人振奋和令人耳目一新的数字项目破土动工之后,我们不禁要问:“是什么使我们(建筑业)退缩?”;这项研究将为服务于滨水区和中央商务区的新型市政基础设施设计辛辛那提根据当前市区的发展趋势和行人交通模式,此设计旨在提供一种行人连接器,既可以起到功能性作用,又可以装饰城市作为公共事务。通过此程序,可以将编织有用的城市设计和数字工艺的机会最大化。使用数字化制作过程,设计将尝试验证研究结果:这些过程将建筑师与建筑和制作活动重新联系起来。设计和制造试图以最佳和最准确的方式回答“如何将人如何组合起来”的问题。*岩本丽莎,《数字制造》(纽约:普林斯顿建筑出版社,2009年),第62页。

著录项

  • 作者

    Mangione, Anthony.;

  • 作者单位

    University of Cincinnati.;

  • 授予单位 University of Cincinnati.;
  • 学科 Architecture.;Computer science.;Urban planning.
  • 学位 M.Arch.
  • 年度 2015
  • 页码 71 p.
  • 总页数 71
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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