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Imitation and innovation: A critical study of Yang Weizhen (1296--1370) and his yuefu poetry.

机译:模仿与创新:对杨维zhen(1296--1370)及其乐府诗的批判性研究。

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摘要

This dissertation examines the revival and new development of yuefu poetry in the middle of the fourteenth century through the case study of Yang Weizhen and his yuefu poetry. As the most influential figure in classical Chinese poetry during the second half of the Yuan dynasty (1279--1368), Yang made great effort in composing and promoting the yuefu genre. Through their compositional activities and social gatherings, Yang and his literary circle in the lower Yangzi region revived the genre's popularity. Yang Weizhen's accomplishment in reviving yuefu illustrates the dynamic between continuity and change in Chinese literary tradition. The consistent interaction between observing literary conventions and the innovative endeavors executed by individual talents provides the revitalizing force that perpetuates the longevity of tradition.;Chapter one first provides a biographical sketch that highlights Yang Weizhen's versatile talents and then examines why the yuefu genre in particular appealed to him. Yang's fascination with yuefu rooted primarily in what he cherished as the fundamental values in poetic composition---emotional expressiveness and originality. Yang also viewed yuefu as a legitimate instrument to reform the poetic fashion of his time---the "Gracious and Proper" style.;Chapter two examines Yang Weizhen's indebtedness to the yuefu tradition through a comparative study of yuefu poems by Yang Weizhen and Li He (790--816), whose eccentric style served as one of the most important models for Yang. Li He's yuefu taught Yang how to craft fantastic imagery and how to create dynamism with causative action verbs.;Chapter three focuses primarily on Yang Weizhen's own unique and personal yuefu style---the "Tieyai Style". A detailed textual analysis of Yang's yuefu collection Tieyai xiansheng gu yuefu reveals three key features that define his original style---a confident poetic persona, an upbeat tone, and a flare of drama.;In addition to his own compositions, Yang Weizhen's effort in promoting yuefu also involved a large literary community in the lower Yangzi region. Chapter four evaluates Yang's leadership role in organizing large-scale literary and social activities and also studies the stylistic features of his collection Xihu zhuzhi ji and its far-reaching influence.
机译:本文通过对杨维and及其乐府诗的个案研究,考察了十四世纪中叶乐府诗的复兴和新发展。作为元代下半叶(1279--1368年)中国古典诗歌中最有影响力的人物,杨在创作和推广月赋方面做出了巨大的努力。通过他们的创作活动和社交聚会,杨子及其在扬子下游地区的文学圈使这种音乐重新流行起来。杨维zhen在复兴乐府方面的成就说明了中国文学传统的连续性与变化之间的动态关系。遵守文学惯例与个人才智所进行的创新努力之间的不断互动,提供了振兴力量,延续了传统的悠久历史。给他。杨对乐府的迷恋主要源于他所珍视的诗歌创作的基本价值-情感表现力和独创性。杨还认为,乐府是改革其时代诗歌风尚的合法手段,即“亲切而恰当”的风格。第二章通过对杨维zhen与李的乐府诗的比较研究,考察了杨维zhen对乐府传统的欠债。他(790--816)的偏心风格是杨最重要的榜样之一。李鹤的月府教给杨教授如何制作奇妙的意象,以及如何使用因果动作动词来创造动感。第三章主要探讨杨为振自己独特和个人的月府风格-“铁窑风格”。对杨乐府系列铁艺先生顾乐府的详细文本分析揭示了界定他原始风格的三个关键特征-自信的诗意人物,乐观的语气和戏剧性的光辉;除了他自己的作品外,杨为振的努力在宣传月府方面,还涉及了扬子下游地区的一个大型文学社区。第四章评估了杨在组织大型文学和社会活动中的领导作用,并研究了其收藏《西湖主治集》的风格特征及其深远的影响。

著录项

  • 作者

    Zhang, Huicong.;

  • 作者单位

    Harvard University.;

  • 授予单位 Harvard University.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 290 p.
  • 总页数 290
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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