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Muted voices from antiquity through the Renaissance: Locating women in the rhetorical tradition.

机译:从上古到文艺复兴时期的声音都柔和:将女性定位于修辞传统。

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摘要

Guiding this study has been the following twofold question: From antiquity through the Renaissance, what contributions did women make to the rhetorical tradition? And how can those contributions be located within that tradition? Library and archival research revealed a surprising amount of female participation within the rhetorical tradition. This research uncovered one rhetorician, several orators, and a number of practitioners of rhetoric (rhetors); in addition, it found reoccurring pockets of female intellectual activity, coteries of upper-class, well-educated women who moved out of the margins into the body of the rhetorical tradition. The research did not, however, uncover any hidden record of a female-only rhetorical tradition, either a synchronic or a diachronic one.;The research led to two basic, intertwined conclusions. First of all, from antiquity through the Renaissance very few women were involved in the mainstream of rhetorical tradition. Only Aspasia of Miletus, a Greek, is a found rhetorician, in the received sense of the word. Other women who have made contributions to or participated in the rhetorical tradition have been rhetors, practitioners--not theoreticians--of rhetoric. During the Middle Ages, the women who wrote and spoke persuasively (Heloise, Hildegard, Julian, Margery) were all under the aegis of the patriarchal Church, whether they composed theological tracts, visionary memoirs, evangelic exhortations, or letters of direction. The Renaissance brought forth a number of upper-class learned women (Roper, Askew, Elizabeth) who demonstrated their awareness of rhetorical conventions and practices in translation, arguments, and religious and non-religious compositions.;The second conclusion is that women have been systematically and purposefully excluded from the history of rhetoric. My study elucidates all the social, religious, political, cultural, and literary ways that women's voices have been muted--by men. Women's intellectual repression has been deliberate, willed, constant, and institutionalized.
机译:指导这项研究的是以下两个问题:从上古到文艺复兴时期,女性对修辞传统做出了哪些贡献?这些贡献如何定位于该传统中?图书馆和档案研究表明,在修辞学传统中,女性参与人数惊人。这项研究发现了一位修辞学家,几位演说家和一些修辞学从业者(rhetors);此外,它发现了经常出现的女性智力活动口袋,上流社会,受过良好教育的女性的小伙子,这些妇女从边缘移出了修辞传统。但是,这项研究并未发现任何女性独有的修辞传统的隐藏记录,无论是共时性还是历时性。该研究得出两个基本的,相互交织的结论。首先,从上古到文艺复兴时期,很少有女性参与修辞传统的主流。从这个词的意义上说,只有希腊人米利都(Miletus)的阿斯帕西娅(Aspasia)是被发现的修辞学家。为修辞传统做出贡献或参与修辞传统的其他妇女是修辞学的修辞者,实践者而非理论家。在中世纪期间,具有说服力的文字和说话的妇女(Heloise,Hildegard,Julian,Margery)都在父权制教堂的主持下,无论是神学领域的著作,有远见的回忆录,讲道的劝诫还是指导信。文艺复兴时期带来了许多上流社会的学识渊博的妇女(罗珀(Roper),阿斯库(Askew),伊丽莎白(Elizabeth)),他们表现出了对翻译,辩论,宗教和非宗教组成方面的修辞习惯和作法的认识。有系统地,有目的地被排除在修辞史之外。我的研究阐明了男性淡化女性声音的所有社会,宗教,政治,文化和文学方式。妇女的智力压迫是有意,自愿,持续和制度化的。

著录项

  • 作者

    Glenn, Cheryl Jean.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Womens studies.;Comparative literature.;Communication.
  • 学位 Ph.D.
  • 年度 1989
  • 页码 301 p.
  • 总页数 301
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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