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Compelled to write: Crisis and self-constitution in the work of Susan Warner, Edith Wharton, and Anne Sexton.

机译:被迫写:苏珊·华纳,伊迪丝·沃顿和安妮·塞克斯顿的危机和自我宪法。

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摘要

Michel Foucault said that individuals have an ethical responsibility to create themselves as works of art. One vehicle that people have used for this act of creation or self-constitution is writing. But many critical approaches claim that the biography of the author is irrelevant, ignoring the influence of biography on the writing because the relationship between life and art is too problematical to be definable. Some critics interested in feminism have determined that ignoring the life of the author because of the problems it imposes is no longer an adequate response to the question of the relationship between life and art. Susan Warner, Edith Wharton, and Anne Sexton have all been marginalized by critics who evaluated their work without giving attention to the lives that produced those works.;Following the collapse of her family's fortune, Susan Warner becomes a Christian and tries to re-constitute herself as a woman without expectations of luxury and romance. She discovers, however, that she cannot suffocate all of her desires, so through her fiction she tries to reshape her passions, constituting herself as a wealthy Christian woman who also finds romance.;Edith Wharton is not so successful in her struggle for self-constitution because she is unwilling to commit herself to the task. She is divided between wanting to be taken seriously in a world that gives more respect to men's writing and wanting to explore women's needs and concerns in her fiction. This division makes it impossible for her to sustain the struggle for self-constitution and, thus, to achieve a unified self.;Anne Sexton takes on the task of self-constitution with more awareness of what she is doing than either Warner or Wharton. In her poetry she overtly addresses the question of how to constitute herself, "confessing" how difficult is the task. Ultimately, however, she constitutes herself as a woman who must die by her own hand.;Because the trace of an author is always apparent in his or her writing, the struggle for self-constitution may be read there, especially when that writing is illuminated by the author's biography.
机译:米歇尔·福柯说,个人有道德责任将自己创造为艺术品。人们用于创造或自我建构的行为的一种工具是写作。但是许多批评方法声称作者的传记是无关紧要的,忽略了传记对写作的影响,因为生活与艺术之间的关系太成问题,无法确定。一些对女权主义感兴趣的批评家已经确定,由于作者的生活所带来的问题而忽视作者的生活,已不再是对生活与艺术之间关系问题的充分回应。苏珊·华纳(Susan Warner),伊迪丝·沃顿(Edith Wharton)和安妮·塞克斯顿(Anne Sexton)都被批评家们边缘化了,他们对自己的作品进行了评估,却没有关注创作这些作品的生活。她自己是一个没有奢望和浪漫的女人。但是她发现自己无法满足所有欲望,因此通过小说她试图重塑自己的激情,使自己成为一个富有的基督徒女人,并且也找到了浪漫。伊迪丝·沃顿(Edith Wharton)在争取自我的斗争中并不是那么成功。体质,因为她不愿意致力于这项工作。她既想在这个更加重视男性写作的世界中受到重视,又想在小说中探索女性的需求和关注,这两者之间存在分歧。这种分裂使她无法维持自我宪法的斗争,从而无法实现统一的自我。安妮·塞克斯顿(Anne Sexton)承担自我宪法的任务时,比起华纳(Warner)或沃顿商学院(Wharton)更加了解自己在做什么。在她的诗歌中,她公开地提出了如何构成自己的问题,“承认”任务是多么困难。但是最终,她将自己构成为一个必须靠自己的双手去死的女人。由于作家的踪迹在他或她的写作中总是显而易见的,因此在这里可以读到自我建构的斗争,特别是当那个写作由作者的传记照亮。

著录项

  • 作者

    Gandolfo, Maria Christina.;

  • 作者单位

    Lehigh University.;

  • 授予单位 Lehigh University.;
  • 学科 American literature.
  • 学位 Ph.D.
  • 年度 1993
  • 页码 195 p.
  • 总页数 195
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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