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Tools of empowerment: The use of magic, voodoo, and the supernatural in the novels of African-American women writers.

机译:增强能力的工具:在非洲裔美国女性作家的小说中使用魔术,伏都教和超自然现象。

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摘要

Contemporary black women writers make generous use of Africanist spirituality, which includes the use of magic, voodoo, and the supernatural. In each of the four novels examined here--Gloria Naylor's Mama Day, Paule Marshall's Praisesong for the Widow, and Toni Morrison's Sons of Solomon and Beloved--the protagonist is empowered in his or her quest for a new cultural identity and a richer sense of community by either a supernatural event or by an older ancestral figure who possesses supernatural powers. Using a close textual and cultural reading, which includes elements of black feminist criticism, I argue that black women writers are making a political statement by creating characters whose strength comes from a reclaimed African spiritual heritage, including magic, voodoo, and the supernatural.;Chapter One is a brief historical overview of the role played by black women in various African-American religious and social movements. Chapter Two explores the literary and political concerns of these writers and discusses how their use of the supernatural addresses some of these concerns.;Chapter Three mediates between the two archetypes common to the four novels--the materialistic, pragmatic, alienated, self-reliant black who duels with the wise, Africanist, communal, spiritual, otherworldly ancestral figure. Chapter Four discusses how the protagonists discover their identity and cultural history after being aided by either a supernatural event or the ancestral figure. Chapter Five explores the concept of community as defined by black women writers and how a newly formulated sense of identity enhances and fosters community.;Chapter Six, the conclusion, makes the case that as the United States stands on the verge of becoming a truly multi-ethnic nation, the central message of the novels of black women writers--that one must look to one's past and specifically to one's spiritual heritage in order to create a healthy, integrated future--is useful not just to black Americans but to all Americans.
机译:当代黑人女性作家慷慨地使用了非洲主义的灵性,包括魔术,伏都教徒和超自然现象的使用。在这里考察的四本小说中的每一本中,主角格洛里亚·内罗尔的《妈妈日》,鲍尔·马歇尔的《寡妇的颂歌》和托尼·莫里森的《所罗门与心爱的儿子》-主角有权寻求新的文化身份和更丰富的感觉。通过超自然事件或拥有超自然力量的祖先人物来形成社区。我认为,黑人和黑人女性作家通过密切的文本和文化阅读,包括黑人女性主义批评的内容,正在通过创造人物来发表政治声明,这些人物的力量来自于非洲神奇的遗产,包括魔术,伏都教徒和超自然现象。第一章简要回顾了黑人妇女在各种非裔美国人宗教和社会运动中所起的作用。第二章探讨了这些作家的文学和政治问题,并讨论了他们如何利用超自然现象来解决其中的一些问题。第三章在四种小说的两种原型之间进行了调解:物质主义,务实,疏离,自力更生与智慧的非洲人,社区,精神,超凡脱俗的祖先决斗的黑人。第四章讨论了主角在超自然事件或祖传人物的帮助下如何发现自己的身份和文化历史。第五章探讨了黑人女性作家所定义的社区概念,以及新近形成的身份意识如何增强和促进社区发展。第六章结论得出了这样的结论,即美国正处于成为一个真正的多元化国家的边缘。民族国家,黑人女性作家小说的中心思想是-一个人必须审视自己的过去,特别是一个人的精神遗产,以创造一个健康,完整的未来-这不仅对黑人美国人有用,而且对所有人都有帮助美国人

著录项

  • 作者

    Umrigar, Thrity N.;

  • 作者单位

    Kent State University.;

  • 授予单位 Kent State University.;
  • 学科 American literature.;Black history.;Folklore.;Black studies.
  • 学位 Ph.D.
  • 年度 1997
  • 页码 439 p.
  • 总页数 439
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:49:09

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