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Corporeal reform: Figuring the body in contemporary Chinese narrative.

机译:体变:在当代中国叙事中塑造身体。

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My dissertation investigates representations of the body in a number of fictional texts in contemporary China. Engaging modern Western theories of the body in a specific historical context, I explore the ways in which the body, in its intricate relationship with the Dengist symbolic field, emerges as a significant material locus for sociopolitical and cultural transformations in the New Era (1979--1989). Post-Mao literature and culture have received increasing critical attention in recent Chinese and Western scholarship, yet the complex narrative representations of the body in this period remain under-explored. This project attempts to contribute to the study of this significant subject. I begin my discussion by viewing fictional representations of the body in the Dengist symbolic field where Maoist legacy, Dengist ideology of reforms, the intellectual elite's cultural campaigns for reevaluating Chinese modernity, and the emergence of global capitalist economy entwine to signify a complicated history of social transformations, and identify in Chapter 1 three concrete conjunctions of the body with politics, history, and sexuality as interrelated sites of social metamorphoses. Chapter 2 analyzes representations of the wounded individual bodies as a trauma of Maoist politics in Zhang Xianliang, Yu Hua, and Can Xue. I argue that these narratives of the wounded, from redemptive to abject, signify a gradual disintegration of Maoism in the reform decade. Chapter 3 discusses the body as an alternative construction site for rewriting history among "xungen" (root-seeking) and "experimental fiction" writers. I look specifically at how Han Shaogong, Mo Yan, and Su Tong use bodily carnival and grotesquerie to subvert the mainstream "History" and to cultivate a new chronotope for alternative cultural imagination. Chapter 4 concentrates on the body as a psycho-sexual space engendered by the emergence of global capitalism. Reading the sexual bodies represented in Wang Anyi, Ge Fei, and Chen Ran, I examine the ways in which libidinal energy, previously controlled by Maoism, is re-channeled to establish a private space for the postrevolutionary individual.
机译:我的论文研究了当代中国许多小说文本中的身体表征。在特定的历史背景下,我结合现代西方人体理论,探讨了人体与邓小平象征域之间错综复杂的关系如何成为新时代(1979-2000年)社会政治和文化变革的重要物质来源-1989)。在最近的中西学术界中,后毛时代的文学和文化受到越来越多的批判关注,但是在这一时期,有关身体的复杂叙事表现形式仍未得到充分的研究。该项目试图为这一重要主题的研究做出贡献。首先,我从邓小平象征性领域的身体虚构表现开始讨论,在该领域中,毛泽东主义的遗产,邓小平的改革意识形态,知识分子精英为重新评估中国现代性而开展的文化运动以及全球资本主义经济的兴起,都象征着一个复杂的社会历史。转变,并在第一章中将身体与政治,历史和性的三个具体结合确定为社会变态的相互联系的场所。第二章分析了张献良,于华和残雪对毛主义政治创伤造成的受伤个体的表征。我认为,这些关于伤者的叙述,从救赎到屈辱,都标志着在改革十年中毛主义的逐渐瓦解。第三章讨论了尸体作为“寻根”作家和“实验小说”作家之间重写历史的另一种建造场所。我专门研究韩少功,莫言和苏童如何利用身体狂欢节和怪诞的东西来颠覆主流的“历史”,并为替代性的文化想象培养新的年代记。第4章将身体作为全球性资本主义的兴起所产生的心理性空间。通过阅读王安忆,葛非和陈然所代表的性器官,我研究了以前由毛主义控制的性欲能量如何被重新引导为革命后的个人建立私人空间的方式。

著录项

  • 作者

    Fu, Binbin.;

  • 作者单位

    Purdue University.;

  • 授予单位 Purdue University.;
  • 学科 Literature Comparative.;Literature Asian.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 246 p.
  • 总页数 246
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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