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Nowhere to Go but Forward: The Fiction of Octavia E. Butler.

机译:无处可去,只有前进:奥克塔维亚·E·巴特勒的小说。

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This dissertation examines how Octavia Butler revises such speculative fiction generic conventions as the alien encounter, space exploration and colonization, utopia/dystopia, and time travel. I argue that Butler borrows heavily from classic science fiction, feminist utopia, and African American literature. In so doing, Butler both expands and critiques these genres, discarding elements that she finds limiting, and reshaping those that she finds valuable. Although Butler's contributions to both speculative fiction and African American literature are many, among her most notable achievement is the reconfiguration of heroic power. Butler creates scenarios in which young black women, many of whom are mothers, and many of whom possess either physical or mental illnesses, find themselves "chosen" to lead in all manner of future worlds. While Butler does not suggest that there is anything essential in black female motherhood that equips her heroines to lead, their histories on the margins---centuries of psychological and physical violation---uniquely equip Butler's heroines to thrive. Because of the compromises they have always been forced to make in order to survive, Butler's protagonists are able to serve as messianic figures who serve as bridges between past, present, and future. Furthermore, Butler's protagonists rely heavily upon their communities (while also being reluctant mothers), negotiate rather than demand, and collaborate rather than dominate. Additionally, Butler's heroines are receptive to radical change even when that change comes at the partial loss of humanity. Because they have less of a stake in the world as it exists, Butlerian heroines are in ideal positions to usher in the unthinkable realities of Blochian utopian dreaming, envision new social organizing principles, and embrace initially destabilizing but ultimately beneficial forms of embodiment that problematize identitarian categories.
机译:本论文研究了Octavia Butler如何修改诸如外星人相遇,太空探索和殖民化,乌托邦/反乌托邦和时空旅行等投机小说的通用惯例。我认为巴特勒大量借鉴了经典科幻小说,女权主义的乌托邦和非裔美国人文学。这样,巴特勒既扩展并批评了这些体裁,则抛弃了她发现的局限性元素,并重塑了她认为有价值的元素。尽管巴特勒对投机小说和非裔美国人文学做出了许多贡献,但她最显著的成就是英雄力量的重新配置。巴特勒创造了这样的场景:年轻的黑人妇女(其中许多是母亲,而且许多人患有身体或精神疾病)发现自己被“选择”领导各种未来世界。尽管巴特勒没有暗示黑人女性的母性有任何必要条件可以使女主人公领导,但她们在边缘地区的历史-几个世纪以来的心理和身体侵犯-都使巴特勒的女主人公得以蓬勃发展。由于他们一向为了生存而不得不做出的妥协,巴特勒的主人公能够充当弥赛亚人物,充当过去,现在和未来之间的桥梁。此外,巴特勒的主人公在很大程度上依赖于他们的社区(同时也是勉强的母亲),谈判而不是要求,并且合作而不是主导。此外,巴特勒的女主人公接受激进的改变,即使这种改变是由于部分人道损失而造成的。由于他们在世界上所占的份额较少,因此男管家女主人公处于理想的位置,可以迎来布洛奇主义乌托邦式梦想的不可思议的现实,设想新的社会组织原则,并接受最初破坏稳定但最终有益的体现形式,使身份认同成为问题类别。

著录项

  • 作者

    Anderson, Emily Kathryn.;

  • 作者单位

    University of Minnesota.;

  • 授予单位 University of Minnesota.;
  • 学科 American literature.;Black studies.;African American studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 224 p.
  • 总页数 224
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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