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Masters of deceit: Poe's lying narrators (Edgar Allan Poe).

机译:欺骗大师:爱伦坡说谎的叙述者(埃德加·爱伦坡)。

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摘要

Disparities long noted in Poe's stories between the first-person narrators' versions of events and those constructed by readers can be attributed not to the narrators' confusion but to deliberate deceit. Telltales of deceit include contradictions, implausible explanations, clumsy or hyberbolic language—long-recognized staples of Poe's fiction. Analyzing the patterns of deceit leads to the discovery of concealed murders in numerous stories. These murders, in turn, often figure the literary crimes of the narrator-authors.; This approach employed in “The Black Cat,” for example, reveals the narrator has having killed his wife not accidentally on the cellar stairs, but deliberately at a much earlier date. The method leads to new readings of several highly regarded Poe tales.; The madness of the narrator of “The Tell-Tale Heart,” usually taken for granted, emerges as feigned. He is attempting to cop a plea of insanity, a novel defense and highly controversial issue known to have interested Poe.; Narrative lapses in “The Assignation” suggest that the Romantic hero, supposedly a suicide, in fact was poisoned by the narrator. The tale has previously been identified as a hoax on Thomas Moore's biography of Byron. The concealed murder dramatizes the character assassination that lies beneath the flattering surface of the narrator's biography.; The narrator of “Ligeia,” already identified as a murderer of Rowena by some and Ligeia by others, can be seen as a serial killer, apt image of the Gothicist, whose trade entails the repeated abuse of his heroines. The narrator of the “The Fall of the House of Usher” is likewise a Gothicist. His story masks a murder for money, and in the process enacts the transformation of the Gothic into the murder mystery.; “William Wilson” is a story not merely of “doubles” but of copies. The narrator, not Wilson, is the copyist. His murder and appropriation of Wilson's identity figure the literary crime of plagiarism, a topic of intense personal importance to Poe.; These readings re-enforce from a unique perspective the perception of Poe as fully engaged in the literary and cultural conversation of his day.
机译:在坡的故事中,长期以来第一人称叙述者的事件版本与读者所构造的事件之间的差异,不应该归因于叙述者的困惑,而在于故意欺骗。欺骗的讲故事包括矛盾,令人难以置信的解释,笨拙或hy亵的语言,这些都是长期以来公认的坡教育小说的主语。分析欺骗的方式导致在许多故事中发现隐藏的谋杀案。反过来,这些谋杀往往说明叙述者的文学罪行。例如,在“黑猫”中采用的这种方法表明,叙述者不是在地窖楼梯上意外杀害了他的妻子,而是故意在更早的日期杀死了他的妻子。该方法可以重新解读几个备受赞誉的坡的故事。通常认为“讲述故事的心”的叙述者的疯狂表现是假装的。他正试图解决精神错乱的请求,精神错乱是一种新颖的辩护方式,并且引起了颇有争议的问题,而这引起了坡的兴趣。 《任务》中的叙述失误表明,浪漫主义的英雄,据称是自杀的,实际上是被叙述者毒死的。这个故事以前被认为是托马斯·摩尔传记拜伦的骗局。隐藏的谋杀使叙事者传记中讨人喜欢的人物暗处戏剧化。 “利吉亚”的叙述者已经被某些人确定为罗威娜的谋杀者,而另一些人已将其确定为利吉亚的谋杀者,可以看作是连环杀手,是哥特人的形象,他的行径需要反复滥用其女主角。 “厄舍之屋的倒塌”的叙述者同样是哥特人。他的故事掩盖了谋杀案,以谋取金钱,并在此过程中将哥特式转变为谋杀之谜。 “威廉·威尔逊”不仅是“双打”的故事,也是复制品的故事。叙述者而不是威尔逊是抄写员。他的谋杀和挪用威尔逊的身份证明了of窃的文学犯罪,这是对爱伦坡十分重要的个人话题。这些读物从一个独特的角度加强了对坡的理解,认为坡完全参与了他当时的文学和文化对话。

著录项

  • 作者

    Amper, Susan.;

  • 作者单位

    Fordham University.;

  • 授予单位 Fordham University.;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 227 p.
  • 总页数 227
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I712;
  • 关键词

  • 入库时间 2022-08-17 11:46:46

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