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Practicing decorum and recognizing convention: The pedagogy of courtesy in Spenser and Castiglione.

机译:练习礼节和承认惯例:斯宾塞和卡斯蒂廖内的礼貌教育法。

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摘要

This dissertation explores the contradictory nature of the literary pedagogy of courtesy in Spenser's The Faerie Queene and Castiglione's Book of the Courtier. I adapt Bourdieu's concept of the "double truth of practices" in order to argue that the complex attitude toward self-presentation revealed by these texts represents a commodification of disinterestedness, in which the performance of a lack of interest is itself the means for an artfully engineered self-advancement. I argue that Spenser and Castiglione, in enacting through their texts contemporary debates about the nature of aristocratic identity, find themselves simultaneously insisting on the pleasure of the text as an end in itself and gesturing toward the text's role as a medium of social advancement for both writer and reader.;In the case of Castiglione, I argue, courtly tastes work to facilitate a virtue that draws from classical conceptions of decorum yet is also adapted to the competitive milieu of the court, in which pleasure, self-interest, and virtue work together even as they remain in tension. In treating Spenser's Faerie Queene, I connect the instrumentality of courteous gifts to the gift of the text itself; I argue that both paradoxically increase the status of their givers despite their apparently self-deprecating performances. I also connect the humble gift to the genre of pastoral in order to show how Book VI of The Faerie Queene engages with Spenser's strategies of self-presentation in his other works. I further argue that the complicated relationship between The Faerie Queene's precepts and its narrative examples indicates that the "recognitions" on which the courtly elite bases itself involve much more than simple reading; instead, readers are caught up in the pleasure of recognizing literary conventions that have little relationship to contemporary society. While the role of pleasure is ultimately redeemed (if complicated) in Castiglione's text, for Spenser the pleasure of the text's literary examples threatens to undo its lessons.
机译:本文探讨了斯宾塞《女王的仙女》和卡斯蒂廖内的《朝臣之书》中礼貌文学教育方法的矛盾性。我采用布迪厄的“实践双重真理”的概念,以便论证这些文本所揭示的对自我表现的复杂态度代表了无私的商品化,在这种商品中,缺乏兴趣本身就是一种巧妙地表现出来的手段。工程自我推进。我认为,斯潘塞(Spenser)和卡斯蒂廖内(Castiglione)在通过其案文展开有关贵族身份本质的当代辩论时,发现自己同时坚持以案文本身为目的的愉悦,并指责案文作为两者的社会进步媒介的作用我认为,就Castiglione而言,有礼貌的工作可以促进一种源于经典礼节观念的美德,但同时也要适应法院的竞争环境,即愉悦,自私和美德。即使他们仍然处于紧张状态,也要一起工作。在对待Spenser的Faerie Queene时,我将礼节性礼物的手段与文本本身的礼物联系在一起。我认为,尽管他们的表演显然是自嘲的,但两者都自相矛盾地提高了他们的奉献者的地位。我还将不起眼的天赋与田园风格联系起来,以展示《仙境女王》的第六本书如何与斯宾塞的其他作品中的自我表现策略互动。我进一步指出,《仙灵女王》的戒律与其叙事实例之间的复杂关系表明,宫廷精英们所依据的“承认”远不止是简单的阅读。取而代之的是,读者很高兴认识到与当代社会关系不大的文学习俗。虽然享乐的作用最终在Castiglione的文本中得到了挽回(如果很复杂),但对于Spenser而言,该文本的文学实例所带来的愉悦性有可能使其课程蒙上阴影。

著录项

  • 作者

    Wareh, Patricia Becker.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature Comparative.;Literature English.;Literature Romance.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 180 p.
  • 总页数 180
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:46:18

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