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Culture and Development --- A Case Study of the Transformation of Handicrafts in Yunnan Province.

机译:文化与发展---以云南省手工业转型为例。

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摘要

In accordance with the research to an ethnic wood handicraft of Jianchuan Bai region in southwest China, this thesis explores the local practice of global developmentalism, as well as the condition of this handicraft's culture, in China and this region, from the midst of last century up to now. By an analysis to cultural diversity, we can find a great number of negative problems in the development of local handicraft, also can find the specific version of development in local cultural context. Jianchuan wood carving has survived in severe circumstance, which gives the probability for looking for some new sustainable development ways to resist primary developmentalism.;In Introduction, I narrate the course by which I have went in for objecting to developmentalism and looking for cultural diversity through my empirical research and my own daily life. The following Chapter 2 analyses the emergence of developmentalism and the process of convergence of culture and development, moreover, it discusses the commercialization of culture by aesthetic anthropology. Chapter 3 shows the Qualitative research approach by the fieldwork. From Chapter 4, I try to bring the reader from global development to China's development specific, and to refer to the development in local culture by a series of national development policies. By participating observation, prior to explaining the wood carving's condition through several important problems in the commercialization process, Chapter 5 explanatively deduces the history of wood carving. It analyses some important aspects that the exploitage development affects wood carving production in Chapter 6, such as that discourse power manipulates the development of wood carving and ecological crisis. Through the reflexity, in Chapter 7, I recognize the researcher--myselve's kinds of biases and the process to find them. The last Chapter proposes a hopeful future, instead of drawing a conclusion.
机译:根据对中国西南剑川白地区的一种民族木工艺品的研究,本论文探讨了上世纪中叶以来中国和该地区全球发展主义的当地实践以及这种手工艺品文化的状况。到现在。通过对文化多样性的分析,我们可以发现当地手工艺品发展中的许多负面问题,也可以找到当地文化背景下发展的具体版本。剑川木雕在严峻的环境中幸存下来,这为寻找抵制初级发展主义的新的可持续发展方式提供了可能性。在引言中,我叙述了我反对发展主义和通过文化寻求文化多样性的过程。我的经验研究和我自己的日常生活。接下来的第二章分析了发展主义的出现以及文化与发展融合的过程,并探讨了审美人类学对文化的商业化。第三章通过田野调查展示了定性研究方法。在第4章中,我尝试将读者从全球发展带入中国的发展特定领域,并通过一系列国家发展政策来提及当地文化的发展。通过参与观察,在通过商品化过程中的几个重要问题解释木雕状况之前,第5章解释性地推论了木雕的历史。在第六章中,分析了剥削的发展影响木雕生产的一些重要方面,例如话语权操纵了木雕的发展和生态危机。通过反思,在第7章中,我认识到了研究者-自我的各种偏见以及找到这些偏见的过程。最后一章提出了充满希望的未来,而不是得出结论。

著录项

  • 作者

    Hu, Ling.;

  • 作者单位

    Hong Kong Polytechnic University (Hong Kong).;

  • 授予单位 Hong Kong Polytechnic University (Hong Kong).;
  • 学科 Anthropology Cultural.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 198 p.
  • 总页数 198
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:37:32

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