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Reaching for understanding: Exploring the potential of four -year -old children to understand works of art.

机译:达成理解:探索四岁儿童理解艺术品的潜力。

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摘要

This study was designed to examine how four-year-old children might be able to respond and interpret works of art. Informed by Jean Piaget's and Lev Vygotsky's theories of cognitive development, and building on Micheal Parsons' and Abigail Housen's theories of aesthetic development, the study investigated whether or not four-year-olds are able to expand their initial responses to achieve deeper levels of understanding about works of art.;The study involved three groups of five four-year-olds from a learning center in Dallas. The groups participated in six weekly visits to the Dallas Museum of Art. The 45--60 minute visits were interactive and led by one of two museum teachers. During the group visits, the museum teacher encouraged the children to think about and discuss their interpretations about works of art. Triangulation was used to obtain research data, and the study findings were analyzed for evidence of plausible interpretations of works of art based on both internal and external clues.;The study findings revealed that through their natural abilities to associate and compare concepts and objects, to scaffold or build upon ideas, and to project themselves into the role of an artist, four-year-old children are able derive plausible interpretations of works of art. The findings also demonstrated the importance of facilitating young children's encounters with works of art, of helping them establish a context for approaching, responding to, and deriving meaning from those works. Based on these findings, the author presents a suggested approach for art museum programming for four-year-old children.;While a great deal remains to be learned, the study contributes to our understanding about how four-year-old children are able to respond to works of art through facilitated discussions. Consequently, the study may help art educators and art museum educators to recognize and explore the potential of young children to have meaningful art experiences.
机译:这项研究旨在检查四岁的孩子如何应对和诠释艺术品。在让·皮亚杰(Jean Piaget)和列夫·维果茨基(Lev Vygotsky)的认知发展理论以及米歇尔·帕森斯(Micheal Parsons)和阿比盖尔·豪森(Abigail Housen)的审美发展理论的指导下,该研究调查了四岁儿童是否能够扩展其最初的反应以实现更深层次的理解这项研究涉及来自达拉斯学习中心的三组,每组五个五岁的孩子。这些团体参加了达拉斯艺术博物馆的每周六次访问。 45--60分钟的参观是互动性的,由两位博物馆老师之一带领。在团体参观中,博物馆老师鼓励孩子们思考和讨论他们对艺术品的理解。三角剖分法用于获取研究数据,并对研究结果进行分析,以基于内部和外部线索对艺术品进行合理的解释。;研究结果表明,通过其自然的结合和比较概念和对象的能力,脚手架或以思想为基础,并以自己的身份扮演艺术家的角色,四岁的孩子能够对艺术品进行合理的解释。研究结果还表明了促进幼儿与艺术品接触,帮助他们建立一种接近,回应和从这些作品中获得意义的环境的重要性。基于这些发现,作者提出了对四岁儿童进行美术馆编程的建议方法。虽然还有很多事情需要学习,但这项研究有助于我们了解四岁儿童如何能够通过便利的讨论来回应艺术品。因此,这项研究可以帮助艺术教育者和美术馆教育者认识并探索幼儿具有有意义的艺术经验的潜力。

著录项

  • 作者

    Smith, Maria Carmen.;

  • 作者单位

    University of North Texas.;

  • 授予单位 University of North Texas.;
  • 学科 Art education.;Early childhood education.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 149 p.
  • 总页数 149
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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