首页> 外文学位 >Auf dem Weg zu einer neuen Mythologie: Die Aneignung und Umdeutung des griechischen Mythos (German text).
【24h】

Auf dem Weg zu einer neuen Mythologie: Die Aneignung und Umdeutung des griechischen Mythos (German text).

机译:迈向新的神话:对希腊神话的挪用和重新解释(德语文本)。

获取原文
获取原文并翻译 | 示例

摘要

The presence and the spirit of Greek myths and mythology in German Literature is an undeniable fact. Greek myths and mythology play a major role in the development of the character and spirit of German Literature especially after the 18th century. In the time of the Enlightment Greek mythology was completely rejected, especially by Gottsched. He creates poetic norms which exile mythology and its spirit from the world of poetry. In this age of reason the Greek gods and the muses who inspire the poets had no place. German Poets therefore adjust Greek myths to adapt them to the modern spirit. The Moderns want a human being who is in control of his own actions and finds the power to create his character and his own life without the help of the gods.; Under this aspect Goethe uses the material of some Greek myths and recreates and adjusts them within the modern spirit. His versions of myths show the human being and his power in the center instead of the gods as is the case in Greek myths. After this adjustment it is clear that Greek mythology, in its ancient form, has no place anymore in modern times.; Schiller writes a poem Die Götter Griechenlandes where he expresses a nostalgia for the Greek world. The Greek world and its gods belong to the past. We can admire their spirit in the present but not treat their mythology as though it were our own. After Greek mythology has been rejected, adjusted and nostalgically recalled, it kindles the desire for the creation of a new and modern mythology which will be the center of modern poetry This dream is conceived at the beginning of early Romanticism. The coming of the new mythology will provide another Golden age, the greatest dream of early Romanticism.
机译:希腊神话和神话在德国文学中的存在和精神是不可否认的事实。希腊神话和神话在18世纪后德国文学的品格和精神发展中起着重要作用。在启蒙运动时期,希腊神话被完全否定了,尤其是被哥特斯赫德(Gottsched)拒绝了。他创建了诗歌规范,将神话及其精神从诗歌世界中流传了出来。在这个理性时代,激发诗人的希腊诸神和缪斯女神无处可去。因此,德国诗人调整了希腊神话,使其适应现代精神。现代人想要一个能够控制自己的行为并在没有众神帮助的情况下找到创造自己的性格和生活的力量的人。在这一方面,歌德使用了一些希腊神话的材料,并在现代精神中对其进行了重新创造和调整。他的神话版本将人和他的力量展示在中心,而不是希腊神话中的众神。经过这一调整,很显然,古希腊神话在现代已无处可寻。席勒写了一首诗 DieGötterGriechenlandes ,表达了对希腊世界的怀旧之情。希腊世界及其神灵属于过去。我们可以欣赏他们目前的精神,但不能像对待我们自己一样对待他们的神话。希腊神话被拒绝,调整和怀旧后,激发了人们对创建新的现代神话的渴望,这将成为现代诗歌的中心。这个梦想是在浪漫主义初期开始构想的。新神话的到来将提供另一个黄金时代,早期浪漫主义的最大梦想。

著录项

  • 作者

    Antonakaki, Alexandra.;

  • 作者单位

    Dalhousie University (Canada).;

  • 授予单位 Dalhousie University (Canada).;
  • 学科 Literature Germanic.
  • 学位 M.A.
  • 年度 2003
  • 页码 81 p.
  • 总页数 81
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I516;
  • 关键词

  • 入库时间 2022-08-17 11:45:50

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号